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что такое акусмониум
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04:41
That's mainly the Acousmonium
François Bayle (composer, inventor of Acousmonium, director of GRM 1966-1997) and Daniel Teruggi (composer, director of GRM 1997-2017) to Patrick K.-H. (composer, Floating Sound Gallery) on theory and actual setup of Acousmonium. Maison de la Radio (Paris), June 2018. Camera - Anastasia Blur. Used music: Jean-Claude Eloy, « Le Minuit de la Foi » (live projection 01.06.2018), Denis DUFOUR, « BlindPoint » (live projection 02.06.2018). https://www.acousmonium.info/ https://inagrm.com/ With support of Institut Français de Saint-Pétersbourg. TG https://t.me/acousmonium
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12:01
It was called Acousmatic
Daniel Teruggi (composer, director of GRM 1997-2017) to Patrick K.-H. (composer, Floating Sound Gallery) on Acousmatic, its meanings, origins and history: - hearing phenomena, - cinema for the ears, - Pierre Schaeffer, Luc Ferrari and Francois Bayle, - "music concrete" vs. "music abstract", - "sound object" and "musical object", - active listening. GRM (Paris), June 2018. Camera - Anastasia Blur. https://www.acousmonium.info/ https://inagrm.com/ TG https://t.me/acousmonium
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20:13
ACOUSMONIUM conversations: Jean-Claude Eloy
Jean-Claude Eloy: artist talk at Russian Acousmonium inauguration. In conversation with curator Patrick K.-H. New Stage of Alexandrinsky Theatre, Floating Sound Gallery, St.Petersburg, 07.08.2018. Camera / festival coordinator - Anastasia Blur. https://www.acousmonium.info/ http://soundartgallery.ru/ http://www.eloyjeanclaude.com/ TG https://t.me/acousmonium
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37:27
ACOUSMONIUM conversations: Francois Bayle.
François Bayle: artist talk at Russian Acousmonium inauguration. New Stage of Alexandrinsky Theatre, Floating Sound Gallery, St.Petersburg, 07.08.2018. Curator - Patrick K.-H. (Anton Iakhontov) Camera / festival coordinator - Anastasia Blur. Translation - Ekaterina Bereznikova. https://www.acousmonium.info/ http://soundartgallery.ru/ http://www.francoisbayle.fr/ TG https://t.me/acousmonium
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40:26
ACOUSMONIUM conversations: Daniel Teruggi.
Artist talk at Russian Acousmonium inauguration: Daniel Teruggi, curator of the French program. New Stage of Alexandrinsky Theatre, Floating Sound Gallery, St.Petersburg, 07.08.2018. Ru translation / curator - Patrick K.-H. Camera / festival coordinator - Anastasia Blur. https://www.acousmonium.info/ http://soundartgallery.ru/ TG https://t.me/acousmonium
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53:50
ACOUSMONIUM conversations: pirates of institutions.
On the 6th-8th of July, 2018, Acousmonium was first time introduced in Russia at the devoted festival in Alexandrinsky Theatre. On the last day participants of this “Acousmonium inauguration” gathered to discuss issues of adaptation and (un)natural selection of electroacoustic and acousmatic music in academic, art, theatre and music contexts and environments. Born to electricity and music parents, it grows trough radio and concert halls, universities and visual art galleries, in 1974 obtained its instrument - “loudspeakers orchestra” - but never an own home, comparing to opera house for opera or cinema theatres for movies. Are we doomed to be institution pirates? Composers / performers (from left to right): - Daniel Teruggi (peer advisor), - Francois Bayle, - Jean-Claude Eloy, - Patrick K.-H. (curator of the festival), - Burkhard Stangl, - Martina Claussen, - Thomas Gorbach, - Volkmar Klien. Coordinator of the festival - Anastasia Blur. https://www.acousmonium.info/ TG https://t.me/acousmonium
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09:49
Volkmar Klien, “Umfassen – Umfangen” at Acousmonium inauguration.
Volkmar Klien projecting his piece “Umfassen – Umfangen” (2015/16) at Russian ACOUSMONIUM inauguration. New Stage of Alexandrinsky Theatre, 06.07.2018, curator - Patrick K.-H. coordinator - Anastasia Blur. https://www.acousmonium.info/ http://soundartgallery.ru/?p=1486&lang=en http://www.volkmarklien.com/ “Umfassen – Umfangen” (Encompass – Envelope), fixed media, 8 channels, 09'28" min. Volkmar Klien @volkmarklien surrounds his audience with loudspeakers and – with the help of these – pulls up new sceneries. In doing so he erects a world that – while audibly encompassing people – is, given it remains invisible, not quite there. The composer surrounds his audience who find themselves in a sea of sound. Electronic sound provides a powerful form of virtual presence; sounds do leave the world behind the loudspeakers and thusly not only surround but also flood the room, they inundate it with themselves. And the people in it submit to be adrift; or they leave. TG https://t.me/acousmonium
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01:21
Acousmatic festival Saint Petersbourg 2019
Concert programme : https://www.acousmonium.info/ INA GRM links : www.inagrm.com Twitter : @Ina_GRM Facebook : INA GRM
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54:58
ACOUSMONIUM 2019 opening
ACOUSMONIUM festival, The New Stage of Alexandrinsky Theatre, St.Petersburg, Russia, in co-production with INA GRM, supported by Institut Français de Saint-Pétersbourg, 25-28.07.2019 Opening words: François Bonnet, head of INA GRM @inagrm, Patrick K.-H. (Anton Iakhontov), curator of the Festival, Alain Hélou, director of Institut Français de Saint-Pétersbourg, Ioulia Starovoitova, curator of cultural programs of Institut Français de Saint-Pétersbourg, Daniel Teruggi: “From Sound to Music: the contributions of musique concrète”. project manager - Anastasia Blur. https://www.acousmonium.info/ https://inagrm.com http://soundartgallery.ru/ TG https://t.me/acousmonium
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43:09
Francis Dhomont, artist-talk @ ACOUSMONIUM festival, St.Petersburg.
ACOUSMONIUM festival, The New Stage of Alexandrinsky Theatre, St.Petersburg, Russia, in co-production with INA GRM, supported by Institut Français de Saint-Pétersbourg, 25-28.07.2019 Francis Dhomont, artist-talk, 28.07.2019 project manager - Anastasia Blur. curator - Patrick K.-H. https://www.acousmonium.info/ https://inagrm.com http://soundartgallery.ru/ TG https://t.me/acousmonium
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55:02
Gilles Racot, "Chronomorphoses" at ACOUSMONIUM, St.Petersburg
Gilles Racot, Chronomorphoses (2002): 00:00 — Daniel Teruggi, opening words. 02:56 — 1. Ronde minérale. 08:14 — 2. Fureur étincelles. 14:18 — 3. Ombres d'hommes. 18:41 — 4. Mémoire de lune. 22:46 — 5. Lumières de fêtes. 26:44 — 6. Terre itérative. 32:00 — 7. Comédie minuscule. 39:16 — 8. Dynamique coquillage. 44:22 — 9. Le lit des vents. 50:42 — 10. Mues d'eau. ACOUSMONIUM festival, The New Stage of Alexandrinsky Theatre, St.Petersburg, Russia, a co-production of Floating Sound Gallery @floatingsoundgalleryvienna8899 and INA GRM @inagrm , supported by Institut Français de Saint-Pétersbourg, light and video-design – Stas Svistunovitch. 27.07.2019 curator — Patrick K.-H., peer advisor — Daniel Teruggi, producer — Anastasia Blur, GRM director — François Bonnet. https://www.acousmonium.info/ https://inagrm.com http://soundartgallery.ru/ TG https://t.me/acousmonium
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17:06
Francis Dhomont, “Phœnix XXI” at ACOUSMONIUM, St.Petersburg
Francis Dhomont, “Phœnix XXI” (2016) at ACOUSMONIUM festival, The New Stage of Alexandrinsky Theatre, St.Petersburg, Russia, a co-production of Floating Sound Gallery @floatingsoundgalleryvienna8899 and INA GRM @inagrm supported by Institut Français de Saint-Pétersbourg, light and video-design – Stas Svistunovitch. 26.07.2019 curator — Patrick K.-H., peer advisor — Daniel Teruggi, producer — Anastasia Blur, GRM director — François Bonnet. https://www.acousmonium.info/ https://inagrm.com http://soundartgallery.ru/ TG https://t.me/acousmonium
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37:46
Todor Todoroff at ACOUSMONIUM, St.Petersburg
ACOUSMONIUM festival, The New Stage of Alexandrinsky Theatre, St.Petersburg, Russia, a co-production of Floating Sound Gallery @floatingsoundgalleryvienna8899 and INA GRM @inagrm, supported by Institut Français de Saint-Pétersbourg, light and video-design – Stas Svistunovitch. 26.07.2019 00:00 — into opening words 04:30 — Rupture d’équilibre / 1993, 95, 97 15:09 — Matières / 2003 25:24 — Voices Part II — Distant Voices / 1999 https://empreintesdigitales.bandcamp.com/album/univers-parall-les curator — Patrick K.-H., producer — Anastasia Blur, GRM director — François Bonnet. https://www.acousmonium.info/ https://inagrm.com http://soundartgallery.ru/ TG https://t.me/acousmonium
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43:40
François Bonnet, artist talk @ ACOUSMONIUM SPb
François Bonnet, composer, head of INA GRM on hearing and contemporary stakes of experimental music. 27, July, 2019, ACOUSMONIUM festival, The New Stage of Alexandrinsky Theatre, St.Petersburg, Russia, a co-production of Floating Sound Gallery @floatingsoundgalleryvienna8899 and INA GRM @inagrm, supported by Institut Français de Saint-Pétersbourg, 25-28.07.2019 project manager - Anastasia Blur. curator - Patrick K.-H. https://www.acousmonium.info/ https://inagrm.com http://soundartgallery.ru/ TG https://t.me/acousmonium
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Thomas Gorbach, “Four Variations with ribbed sounds” at ACOUSMONIUM, St.Petersburg
Thomas Gorbach, “Four Variations with ribbed sounds” (2014) at the ACOUSMONIUM festival, New Stage of Alexandrinsky Theatre, St.Petersburg, Russia, Floating Sound Gallery in co-production with INA GRM. 27.07.2019 http://soundartgallery.ru/?p=2057 https://www.acousmonium.info/
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22:04
Armando Balice, "Black Garden" at ACOUSMONIUM, St.Petersburg
Armando Balice, "Black Garden" at ACOUSMONIUM festival, The New Stage of Alexandrinsky Theatre, St.Petersburg, Russia, a co-production of Floating Sound Gallery @floatingsoundgalleryvienna8899 and INA GRM @floatingsoundgalleryvienna8899, supported by Institut Français de Saint-Pétersbourg, diffused by Emmanuel Richier. 27.07.2019 curator — Patrick K.-H., producer — Anastasia Blur, GRM director — François Bonnet. https://www.acousmonium.info/ https://inagrm.com http://soundartgallery.ru/ https://www.armandobalice.com/ TG https://t.me/acousmonium
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